My inspiration comes from an idealized version of nature that suits my introverted and melancholic nature. A nature free of distracting elements; serene and beautiful. It is born out my love for silence and solitude. While I am photographing ordinary subjects, there are often things we don’t notice in our busy lives. By catching people’s eyes, I hope my photos will encourage them to look closely at the unnoticeable and find beauty. My images should make people feel like they are reading a poem.
Trees have always fascinated me as a subject. They are beautiful in woods and forests, especially when misty. But I also love them standing alone. Trees seem to have a permanence about them because of their primeval nature, the fact that they outlive humans, and because they are rooted. Although rooted in the earth, trees seem to reach for the sky.
I’m always looking for clear, simple compositions to help me create minimalist images that evoke feelings of peace, tranquility, and often a sad and lonely atmosphere. My art is not meant to depict reality but rather to simplify it and make it more understandable. In order to achieve this, I use a lot negative space so that the viewer is forced to see the theme and all the empty space. This can create a meditative feeling.
#1 Water Stories
#2 Impressions from Paros I
#3 Twinned
#4 By the River
#5 Pastoral
#6 The Spirit of the Lake
#7 The Witch
#8 Poetry of Silence
#9 Tree on the Rock
#10 Winter Tree
About George Digalakis
George Digalakis is an accomplished photographer, specializing in Fine Art, minimal photography, through which he tries to convey the beauty of nature, with his own distinctive, black and white language. His passion for photography is harmoniously combined with his love for travel and the exploration of new landscapes and places, stimuli for the creation of his unique minimalist world.
He was born and raised in Athens, Greece. A medical doctor by profession, he still lives and works in Athens. Although he has been involved in many hobbies, such as chess and diving, it took him forty years to discover his true passion for the art of photography.
His first contact with photography was back in 1974, when he received a “Nettar” as a gift from his father. Since then, the camera became an integral part of his daily life.But it was only in 2009 that he found the necessary free time to study photography seriously, under the supervision of Tasos Schizas. He became acquainted with classic and contemporary photographers and realized this medium would offer him a getaway from reality and enable him to express his inner world. Photography proved to be a permanent source of inspiration and life-changing experience.
Born in a country with more than 1000 islands, he developed a close relationship with the sea, and he feels that this connection is the driving force behind his love for seascapes. George rarely tries to capture the moment and finds that by ignoring reality he can best convey his inner vision and underlying emotions. Subjects that convey feelings of loneliness, isolation, and melancholy are his preferred themes, with bare trees in the water, old piers, and interesting rocks being recurring themes.Purity of space and thought, vast waterscapes, sense of echoing space, and the removal of the distracting elements,characterize his work.
He does not try to tell stories, but to convey emotions. For him the point of art has never been to make a truthful copy of reality, but to create art that could help the viewer to escape the surface of reality we everyday live in and discover emotions and feelings. He sees the use of black and white as a step away from reality, and with the use of the long exposure technique, introduces the sense of passing time, eliminating the details from the background, thus highlighting his subjects.
Minimalism, both as an art movement and a philosophy of life, has influenced his work. The influence from minimalist photographers, such as Michael Kenna can be clearly seen in his seascapes. On the other hand, the street photography of Harry Callahan and Giacomo Bruneli, with the extensive use of dark tones, highlighting the melancholic mood of their work, has clearly left an imprint on his urban imagery.
Copyrights :
All pictures in this blog are copyrighted by George Digalakis. It is prohibited to reproduce any part of these images without explicit permission from the owners.